Hospitality
Hospitality
DKK 0.00
Limited-edition giclee art print
96 × 84 cm
2024
From the Menageri series.
Edition på 10
ABOUT NOAH NORRID
Inspired by the illustrations of natural history and infused with surrealism’s familiar juxtapositions, each of Noah Norrid´s works represents a narrative that seeks to tell a compelling or whimsical tale of human and universal truth. These visual narratives are very much rooted in the fable genre in that he works within the natural world to comment on the human one. However, rather than presenting some obvious moral lesson (as fables often do), Noah attempts to sidestep the obvious pedagogic implications to explore the more ambiguous ideas inherent in each narrative’s tension. In doing this, the work can explore the reaches of the human imagination and experience on mythical and in some cases, spiritual, terms.
Natural history in general, and the visual study of birds, specifically, is the departure point for Noah Norrid´s work. Birds have long been the avatars of human behavior in our mythical, spiritual and even political imaginations across nearly all recorded time and in all cultures; an observation that does not go unnoticed in the work. Birds bear symbolic and even talismanic significance in our collective language- they are the harbingers of peace and destruction, of the morning and of the night, of life and of death. In these stories, the majesty and power of the eagle becomes the hubris that suffers divine wrath; the magpie’s fevered hunt for shiny objects becomes a meditation on the nature of being; and a heron’s hunger becomes a commentary on social economics.
Norrid´s early work borrowed heavily from Aesop’s fables as this was the direction that he first sought and it was the direction he was coming from after illustrating two children’s books. However, as the works progressed, Noah found that the motives present in the natural world gave way to new narratives that significantly departed the more established fables and began to develop compelling and mature narratives all their own. Indeed, the illustrated yet un-written fable presents many interesting possibilities.
Noah Norrid work predominantly in watercolor and gouache in keeping with the traditions of natural history illustration of the past. In working in large formats, he is able to include details that help give additional textures and highlight symbolic relationships that he finds essential in the narrative process.
AVAILABLE WORKS